Beatrice Grasso 9/27/24 Beatrice Grasso 9/27/24

Venice 2024: Wolfs

Wolfs delivers precisely the kind of light entertainment one might expect from it

Beatrice Grasso 9/26/24 Beatrice Grasso 9/26/24

Venice 2024: Harvest

Harvest could almost be a fable, its dreamlike quality rendered sharply by the decision to shoot this on 16mm film

Beatrice Grasso 9/10/24 Beatrice Grasso 9/10/24

Caught between elevated expectations and concerns that it would not live up to its predecessor, Joker: Folie à Deux tries to break free from both

Beatrice Grasso 9/2/24 Beatrice Grasso 9/2/24

The impeccable performances by Julianne Moore and Tilda Swinton undoubtedly carry the film

Beatrice Grasso 8/29/24 Beatrice Grasso 8/29/24

Pablo Larraín returns to Venice with a non-biopic on another iconic female public figure

Beatrice Grasso 8/28/24 Beatrice Grasso 8/28/24

Nonostante offers a quiet and unassuming reflection on life, death, and the space in-between

Beatrice Grasso 6/4/24 Beatrice Grasso 6/4/24

C’è Ancora Domani delivers a sharp and crystal-clear portrait of life in post-war Italy

Beatrice Grasso 6/2/24 Beatrice Grasso 6/2/24

Despite all its flaws, The Fall Guy succeeds in offering an entertaining viewing experience

Beatrice Grasso 3/1/24 Beatrice Grasso 3/1/24

The pacing and editing hardly leave Pain Hustlers any room to breathe, overstuffing the narrative to the detriment of depth

Beatrice Grasso 9/18/23 Beatrice Grasso 9/18/23

Provides a fresh and much-needed new take on the theme of migration