Black Friday
Black Friday will provide just the right dose of horror and comedy
Resident Evil: Welcome to Raccoon City
Resident Evil: Welcome to Raccoon City is a failure
The Deep House
The Deep House is a tragic and poorly crafted feature that fails on almost every level
Halloween 2021: The Feminine Body Horror of Julia Ducournau
In his latest essay Nicolò Grasso cuts into the stomach-churning cinema of Julia Ducournau
Halloween Kills
Halloween Kills is the most subversive entry of the franchise by far
V/H/S/94
V/H/S/94 delivers gore and nastiness for everyone
There's Someone Inside Your House
There’s Someone Inside Your House is a dull and forgettable affair
The Night House
The Night House becomes more fascinating as it slowly embraces its nightmarish atmosphere
TIFF 2021: Titane
Julia Ducournau’s second film Titane is a daring and insane follow-up to Raw
TIFF 2021: Last Night In Soho
Last Night In Soho is, unfortunately, a messy snoozefest with a frankly disgusting message
Malignant
James Wan establishes the intrigue of Malignant with a clichéd tribute to Giallo pictures of the 1970s and 1980s
Fear Street Part 2: 1978
Unlikely to win over new fans, but it is an effective piece of R-rated slasher cinema that younger audiences do not get anymore
A Quiet Place Part II
Moves with determination and precision, not wasting a moment, and it all culminates in a third-act finale of virtuosic proportions
Great White
Great White offered hopes of an intimate horror that did not overly set its sights on the shark, but the question on the human morality
The Conjuring: The Devil Made Me Do It
The Conjuring: The Devil Made Me Do It offers a very intriguing analysis of what may be yet to come, for better or worse
Saint Maud
Saint Maud proves to be one of the best modern art-house horror films of the decade
Hunted
Hunted is the newest original addition to the Shudder library
Run
Sarah Paulson delivers a terrific, and terrifying, lead performance that further cements herself as one of the most capable actresses of recent years
Freaky
Freaky is one helluva good time that shouldn’t be missed
Digital Filmmaking: Destruction of Belief
In his latest essay, Jak-Luke Sharp explores the past, present, and future of Horror cinema regarding the perils of digital filmmaking