Jak Luke Sharp 10/3/22 Jak Luke Sharp 10/3/22

Jeepers Creepers: Reborn

Jeepers Creepers: Reborn, for the most part, succeeds in getting itself back on the wagon

Carson Timar 9/2/22 Carson Timar 9/2/22

They/Them

They/Them on the outside might seem like it has the potential to be a fun queer slasher, but the reality is sadly much darker

Maxance Vincent 7/14/22 Maxance Vincent 7/14/22

The Black Phone

The Black Phone become one of the scariest studio-driven horror films since Andy Muschietti’s It

Ewan Gleadow 7/13/22 Ewan Gleadow 7/13/22

Torn Hearts

Torn Hearts plays like a trailer made for television

Ewan Gleadow 2/15/22 Ewan Gleadow 2/15/22

Black Friday

Black Friday will provide just the right dose of horror and comedy

Kyle Krieghbaum 12/21/21 Kyle Krieghbaum 12/21/21

Resident Evil: Welcome to Raccoon City

Resident Evil: Welcome to Raccoon City is a failure

Jak Luke Sharp 11/3/21 Jak Luke Sharp 11/3/21

The Deep House

The Deep House is a tragic and poorly crafted feature that fails on almost every level

Nicolò Grasso 10/29/21 Nicolò Grasso 10/29/21

Halloween 2021: The Feminine Body Horror of Julia Ducournau

In his latest essay Nicolò Grasso cuts into the stomach-churning cinema of Julia Ducournau

Maxance Vincent 10/28/21 Maxance Vincent 10/28/21

Halloween Kills

Halloween Kills is the most subversive entry of the franchise by far

Nicolò Grasso 10/25/21 Nicolò Grasso 10/25/21

V/H/S/94

V/H/S/94 delivers gore and nastiness for everyone

Nicolò Grasso 10/15/21 Nicolò Grasso 10/15/21

There's Someone Inside Your House

There’s Someone Inside Your House is a dull and forgettable affair

Nicolò Grasso 10/15/21 Nicolò Grasso 10/15/21

The Night House

The Night House becomes more fascinating as it slowly embraces its nightmarish atmosphere

Alina Faulds 9/29/21 Alina Faulds 9/29/21

TIFF 2021: Titane

Julia Ducournau’s second film Titane is a daring and insane follow-up to Raw

Alina Faulds 9/22/21 Alina Faulds 9/22/21

TIFF 2021: Last Night In Soho

Last Night In Soho is, unfortunately, a messy snoozefest with a frankly disgusting message

Maxance Vincent 9/21/21 Maxance Vincent 9/21/21

Malignant

James Wan establishes the intrigue of Malignant with a clichéd tribute to Giallo pictures of the 1970s and 1980s

Nicolò Grasso 7/12/21 Nicolò Grasso 7/12/21

Fear Street Part 2: 1978

Unlikely to win over new fans, but it is an effective piece of R-rated slasher cinema that younger audiences do not get anymore

Alexander Holmes 6/16/21 Alexander Holmes 6/16/21

A Quiet Place Part II

Moves with determination and precision, not wasting a moment, and it all culminates in a third-act finale of virtuosic proportions

Jak Luke Sharp 6/3/21 Jak Luke Sharp 6/3/21

Great White

Great White offered hopes of an intimate horror that did not overly set its sights on the shark, but the question on the human morality

Jak Luke Sharp 6/1/21 Jak Luke Sharp 6/1/21

The Conjuring: The Devil Made Me Do It

The Conjuring: The Devil Made Me Do It offers a very intriguing analysis of what may be yet to come, for better or worse

Nabeel Zaman 2/5/21 Nabeel Zaman 2/5/21

Saint Maud

Saint Maud proves to be one of the best modern art-house horror films of the decade