VENICE 2021: Last Night in Soho
Last Night in Soho offers nothing but an underwhelming and derivative bore
VENICE 2021: Competencia Oficial
Competencia Oficial is a riot from beginning to end
VENICE 2021: The Lost Daughter
The story of The Lost Daughter is quite strong thematically, unfortunately it falls apart in the execution
VENICE 2021: Il Buco
Il Buco is all about the power of nature and the smallness of humanity
VENICE 2021: DUNE
Dune: Part One puts the perspective of Blade Runner: 2049 as a mere dress rehearsal in comparison to bringing Herbert's material to the screen
VENICE 2021: Spencer
One of the most moving and downright best films that 2021 has delivered so far.
VENICE 2021: The Hand of God ‘‘È stata la mano di Dio’’
The Hand of the God once again pertains that Sorrentino is one of the greatest living filmmakers of his generation
VENICE 2021: The Card Counter
The Card Counter stands as not only a solid follow up to a magnum opus but continues Schrader's trajectory of sin in a blended form of sensual moral brevity
VENICE 2021: The Card Counter
It is an immensely enjoyable experience for those who manage to find themselves on the very specific wavelength that Schrader is on.
VENICE 2021: Land of Dreams
An obtuse, needlessly convoluted, and downright messy film.
VENICE 2021: The Power of the Dog
The Power of the Dog is a consistently muddled and tonally miss managed feature
VENICE 2021: Parallel Mothers ‘Madres Paralelas’
Madres paralelas is another creative piece of bravado in the filmography of a consistent auteur
VENICE 2021: Parallel Mothers
One of the strongest opening films from the last few years at Venice, and among the finer films among the director’s wide and eclectic filmography.
VENICE 2020: The Predators
Where The Predators thrives is in its comedic roots
VENICE 2020: To the Moon
To the Moon is a dedicated testament to not only experimental film but cinema as a whole
VENICE 2020: Lovers
Amants (Lovers) is just another thriller that will be forgotten about after a couple of weeks
VENICE 2020: Samp
Before long, it becomes a game of staying with Samp with warm regards due to its inventiveness or checking out due to the same pull
VENICE 2020: Gaza Mon Amour
Gaza Mon Amour is an enriching and colossally warm drama-romance that explores the intricacies of life in a daunting and challenging political spectrum
VENICE 2020: Nowhere Special
An outstanding piece of cinema that will destroy and inspire any and all who have the privilege of watching it
VENICE 2020: New Order
The controversial nature of this opus will be polarising, but New Order should elevate Michel Franco, as one of the most interesting filmmakers of his generation